Rosenberg Gallery

"Group Grope" curated by Kathe Burkhart

2011-12-05T10:55:00.000-08:00

Kathe Burkhart
Old Love Letters
Zeroxed letters
2011

Annabel Graham
Guilt
36” x 24”
Acrylic on canvas

Zach Schoenhut
Smell me I’m gay
24” x 18”
Chanel cologne, Versace cologne, gouache, mouthwash, paper collage, tape on BFK Reeves

Corui Cano
Hedonism is Healthy
Three 24” x 18” pieces
Marker, glitter, condom, whiskey, perfume, nail polish on paper

Kira Milas
Birthday Suit
Size Small
Printable cotton, clothes hangers

Rose Howell
Dirty Wipers
Two sculptures ~ 1’ x 6”
Toilet paper, spray paint, hangers, clay

Steven Chea
Geisha
14” x 8”
Handmade paper, marker

Alyssa Clear
Untitled
Varied
Ceramics, mixed media

Paul Anagnostopoulos
Nose Job
36” x 24”
Oil, acrylic, glitter, sand, glue, lubricant on canvas

Paul Anagnostopoulos
“Not to ruin your morning, but…”
30” x 22”
Oil on canvas

Romina Gonzales
Untitled
30” x 24”
Paper collage, acrylic, candy on wood panel

Carly Stains
Power Suit
30” x 20”
Oil and acrylic on canvas

Jean Allworden
Untitled
24” x 18”
Pen and marker on paper

Michelle von Mandel
Trophy Wife
40” x 23”
LCD Digital Color TV, audio track

Mary Parker Jessup
Hooking Up
Variable
Video

The Suspension Order 11/16-11/26

2011-12-02T13:44:00.000-08:00

Alexandra Baye

and

Alex Russi

Not An Exact Science 11/02-11/12

2011-11-09T15:04:00.001-08:00

Not An Exact Science

Brian Broderick
Kei Ota
Visar Halili

On View 11/02-11/12

Kei Ota
Amy
Oil on canvas
8"x12"
2010

Kei Ota
remember when
4 minute video loop projection with 6'x4' stretched canvas
2011

Brian Broderick
Watercolor, ink, and graphite on paper
2011

Visar Halili
Untitled
Digital C-Prints, 13"x21"
2011

Parallax Gap 10/24-10/30

2011-10-28T12:27:00.000-07:00

Alice Wang and William Sabiston
Parallax Gap
On View 10/24-10/30

The Post Card 10/10- 10/16

2011-10-14T13:00:00.000-07:00

The Post Card
Curated by Agnes Lux
On view 10/10-10/116
Website: http://www.postedcard.de/

"The Postcard" invited artists to make work with three ready-to-sent postcards by the USPS. the work is presented from Wednesday, October 12th- Sunday October 16th 2011. In the Rosenberg Gallery, NYU, New York and will be visible on www.postedcard.de. The website will contain a lottery system: Artist will swap their piece with someone else's work.

Family/Romance

2011-10-14T12:31:00.001-07:00

Taro Masushiro
Family/Romance
On View 10/3-10/9

Assembly 9/26- 9/25

2011-09-30T13:34:00.000-07:00

Assembly, 9/26-10/2
Elliot Wright

GLEICH 9/19-9/25

2011-09-23T14:17:00.000-07:00

GLIECH ,9/19 - 9/25
Agnes Lux

Karte, 2010/2011

15.6' x 9.9'

(Left)

#71, 2011

3.5' x 5.5'

(Right)

#37, 2011

3.5' x 5.5'

Memody 9/12-9/18

2011-09-16T15:11:00.000-07:00

Memody
G. William Webb
On view 9/12- 9/18

The Nature Of 4/27-5/7

2011-05-04T11:53:00.000-07:00

The Nature of, Rosenberg Gallery

On view through 4/27-5/07

Opening Reception (5-7pm) Wednesday 4/27

Rosa Maria de los Heros, Corrie Glenn Ferguson,

Jesse Ng and Jana Silverton

1.
Jesse Ng
Untitled 2011
Oil on Canvas.
28” x 44”

2.
Jana Silverton
Self-Soothe.
2011.
Sound installation.

3.
Jesse Ng
Stutterer,
2011
Oil on Canvas.
30” x 40”

4.
Jesse Ng
Air Sex,
2011
Oil on Canvas.
28” x 42”

5.
Corrie Ferguson
For Harley, Mary Lynn and James,
2011
Video on monitor with sound,
9 min loop inside of mixed media installation
Dimensions variable

6.
Rosa Maria de los Heros
Jess on White,
2011
Video Projection

7.
Rosa Maria de los Heros
Para Volar,
2011
Video Projection

8.
Jesse Ng
 Antidotes,
2011
Ink on Bristol Paper.

9.
Rosa Maria de los Heros
Yemanya,
2011
Video and 16mm

10.
Molly Levinson
29,939 days.
2011.
Yarn,
dimensions variable.

11.
Molly Levinson
img_239, 2011
Yarn, 4’ x 2’

12.
Molly Levinson
200404881_e265bc507c.jpg,
2011
 Yarn.
Dimensions variable.

I Have To Head Out Soon, On view through 4/13-4/23

2011-04-19T12:26:00.000-07:00

I Have To Head Out Soon

On view through 4/13-4/23

Opening Reception (5-7pm) Wednesday 4/13

Kaila Bulfin, Alexander Casso,

Violet Dennison, Shaina Donovan,

Nick Etre, Emma Exley, Graham Hamilton,

Alberto Hamonet, Sophie Helsby,

Ye-Rim Rey Lee and Tyler Rico

Skull

Cement, 5”x7”4.5”

Graham Hamilton

An image that is collapsible upon itself

Large format Xerox, 34”x50”

Nick Etre

crows

Graphite on paper, 25”x36”

Emma Exley

Chapel

Oil, oil pastel, tape on paper, 23”x34”

Graham Hamilton

Secure

Mirror

Alberto Hamonet

Issac, NYC, 2011

C-print, 20”x24”

Ye-Rim Rey Lee

Untitled

Watercolor on paper, 12”x9”

Violet Dennison

Untitled

Watercolor on paper, 12”x9”

Violet Dennison

Caballo

Natural dye silkscreen on paper, 18”x24”

Emma Exley

Untitled

Oil on canvas, 8”x9.5”

Graham Hamilton

Untitled

Plaster, pigment

Tyler Rico

Us, 2011

Digital print on Japanese paper, 34”x46”

Ye-Rim Rey Lee

Untitled

Inkjet print on Japanese paper, 21.5”x15”

Sophie Helsby

I want to be carried into the sunset by cheerleaders

Gouache, watercolor, acrylic on paper, 27.5”x39”

Nick Etre

Self-portrait

Mixed media, 24x18”

Alexander Casso

The Much Acclaimed

Materials and dimensions variable

Alberto Hamonet

khaolak by emmaexley

Sound Installation:

Khao Lak Field Recording

Speakers

Emma Exley

Untitled

Rusty pole, dimensions variable

Shaina Donovan

Untitled

Mixed media, 24”x24”

Alexander Casso

Ye-Rim Rey Lee

Sophie Helsby

Nick Etre

Alberto Hamonet

Graham Hamilton

Graham Hamilton

Emma Exley

Shaina Donovan

Alexander Casso

Tyler Rico

Connotation On view through 3/30-4/09

2011-04-08T09:56:00.000-07:00

Connotation, a group show featuring works by Miles McMillan, Isobel Wohl, Alexandria Tarver, and Samuel Caleb Englander, is prefaced with the understanding that to rationally account for painting within artistic practice is more often than not a confounding endeavor. Each of the artists here, however, approaches the medium of painting without apology, as a means of translating their own aesthetic, conceptual, and contextual creation. Together, the presentation of works in Connotation operates as a conversation of painting that is both self-reflexive and as it relates to the various methods of creation.

Miles McMillan embraces the effectiveness of traditional figure painting as a means of crafting a compelling image, actively exploiting the universal human fascination of seeing other people to reach his audience. These disconcerting self-portraits of the artist appear in response to the perceived narcissism and increasing instantaneity of photographic culture.

Isobel Wohl’s ambiguous imagery built on emphatically tactile canvases offers an inescapable awareness of painting as, above all else, a process. Due to the nature of their construction, these paintings have the presence of objects as Wohl’s painterly sensibility extends to the third dimension. This sensibility naturally extends and beautifully manifests itself in her fiber works, where intricate lines of fabric amass into individual substances, and in her etchings, whose impact relies more on aquatint and washes of dark and light than on intricate line detail.

Alexandria Tarver adopts the tradition of pure painting as a means of spatial representation. However, the spaces represented in her work are unexplained fragments of the built environment taken from their original context and framed within the inexplicable language of painting. There is a critique, or awareness, here implied of the affectivity these overlooked structures induce and an attempt by Tarver to use painting a guarded disclosure of direct experience.

In his work, Samuel Caleb Englander incorporates the language of abstract painting practice, the ability of the medium of painting itself to provide formal compositions that act towards the end of a sublime expression. The imposition of text on the surfaces of the canvas, however, self-consciously causes the paintings to be read on multiple levels. Englander’s approach to painting is therefore indeed a symptom of his approach to art-making, his exploration of various mediums as tools of communicating with and summoning the audience to participate in the artist’s own disparate, seemingly contradictory, and deeply relatable thoughts.

Installation View

Samuel Caleb Englander

Eclipse

Video

43 minutes

2011

Samuel Caleb Englander

17,649

81 acrylic on canvas paintings

97 x 97 inches

2011

Isobel Wohl

dark rotting bone

Silk and mohair yarn, handwoven by the artist

7 x 9 ¼ inches

2011

Alexandria Tarver

I guess some things are different #stars

Oil on linen

15 x 12 inches

2011

Alexandria Tarver

mailbox

Oil on canvas

48 x 72 inches

2011

Isobel Wohl

the kid with the eggshell skull

Oil on linen

9 x 12 inches

2011

Miles McMillan

Untitled

Oil on canvas

60 x 36 inches

2011

Miles McMillan

Untitled

Oil on canvas

60 x 36 inches

2011

Isobel Wohl

soft bone

3 pieces, silk and mohair yarn, handwoven by the artist

height 9 ¼ inches, width variable

2011

Samuel Caleb Englander

September 1978

46 x 68 inches

Acrylic on canvas

2011

Alexandria Tarver

i don't understand why people complain about not being able to see the stars in the city. i mean, they're up there- at least on the south side of town at a time when eyes are quick to close #stars

15 x 12 inches

Oil on linen

2011

Alexandria Tarver

grey ky

18 x 24 inches

Oil on panel

2011

Alexandria Tarver

#seeingspots

12 x 9 inches

Oil on panel

2011

Isobel Wohl

nest print

Etching and aquatint with chine collé on paper

Plate size 5 x 6 inches, paper 15 x 14 inches

2011

Alexandria Tarver

Untitled

Oil on panel

9 x 6 inches

2011

Isobel Wohl

still life (yarn skein)

Oil on linen

9 x 12 inches

2011

The Money Shot, On view through 3/09-3/26

2011-03-25T08:59:00.000-07:00

The Money Shot

Curated by Kathe Burkhart

Featuring the work of Undergraduate Projects students and TA Tracy Timmins

Installation View

Mikael Larsson
"I’m in it for the money"

6” x 8”
Paper and ink

2011

Tracy Timmins

"Wild2"

Oil on canvas

18” x 18”

2011

Casey Baden

"Tonight"

B/W photographic prints

2010

Amanda Smith

Untitled

Dimensions: Unknown

Canvas, paint and audio track

2010

Danielle Reuther

"Ouch, That Smarts"

Digital print on satin

44” x 58”

2011

Thea Gregorius

Untitled

21” x 29”

Mixed Media Collage

2011

Michael Diaz

"Little Cum Pig"

23” x 29”

Charcoal

2011

Michael Diaz

"Secret Obsession"

23” x 29””

Charcoal

2011

Michael Diaz

"Put Yourself Inside"

22” x30”

Charcoal

2010

Eugene P. Terry

"Bad People"

Skreen printed t shirts w/ markers, watercolors

2011

Andrew Raines

"Breath Assured"

15”x 15”

Mirrors, Glass, Vaseline, Vapor, Humour, Hair, Dust, Fluid, Orifice

2011

Louis Kim

"carrot cake "

Carrot, cake

2011

Misha Handschumacher

"Untitled"

B/W Photographic Prints

2011

Misha Handschumacher

"Untitled"

Found objects (gloves, piercing, shoes)

2011

Tessa Scheckner

"Todlers & Tiaras"

Mixed Media

2011

Nicholas Cuppari

"Fetish"

Video

Chelsea Pfohl and Rishi Linley

"Toes"

Video

2011

Lauren Jamison

"The Money Shot"

Video

2010

Louis Kim

"Chef Cornred"

video

Duration: 7’11

2011

Kathe Burkhart

"Fugue"

video

2010

1st Year MFA Group Exhibition On view through 2/23-3/05

2011-03-02T15:55:00.000-08:00

Alice Wang
"The Extraordinary Princess Xirui
Episode 24 (of 60) That Which One Must Sacrifice for Freedom"
Digital video projection
00:21:33 (of 22:14:50)
Edition of 10 (Full Series)

Alice Wang
New York, USA, 2011-ongoing

Katherine Bauer
"Crystallus: Nucleation Phase (Phase 2 of 6)"

Katherine Bauer
"Crystallus: Nucleation Phase (Phase 2 of 6)"
film loop, 16mm, B&W, 4 seconds
crystallized color slide, 35mm
The Earth's core and the Catskill Mountains, 2011

Katherine Bauer
"Crystallus: Nucleation Phase (Phase 2 of 6)"
crystallized cat fetus in glass box on pedestal

Katherine Bauer
"Crystallus: Nucleation Phase (Phase 2 of 6)"
crystallized mouse in glass box on pedestal

Katherine Bauer
"Crystallus: Nucleation Phase (Phase 2 of 6)"
6 crystalline auragrams
c-prints, 8x10

What Is Seen Cannot Be Unseen: 2/9 - 2/19

2011-02-12T10:17:00.000-08:00

Kei Ota

Catarina Ferreira

"Untitled"

Catarina Ferreira

"Meat Candy"

Catarina Ferreira

"Untitled"

Catarina Ferreira

"Untitled"

Catarina Ferreira

"Untitled"

“18 x 18” (18 Years x 18 Year-Olds): An installation by Linda Vega

2011-02-02T13:21:00.000-08:00

“18 x 18”
18 Years x 18 Year-Olds

An installation by Linda Vega, in collaboration with Hiroshi Sunairi
On view January 26 – February 5, 2011
...Opening Reception on Wednesday, January 26th, 5-7 PM

On June 1st, 2011, I will be retiring after nearly forty years spent advising students at several of the best art schools and universities in the country, including these last eighteen years here in the Art Department at NYU. These years have been a privilege, a challenge, and deeply fulfilling. I have learned so much from the students, the faculty and my colleagues, and I have grown so much as a person.

When I graduated from college, I had no idea about the kind of job I could possibly get as an English major without any discernible skills or experience. I would not have guessed this would be my career. But I knew I loved being in college, so it’s worked out fine that I never left. My very first job (before I figured this all out) was at an insurance company, where I was desperately unhappy. I visited a guru (it was 1970!) and told him “all I want to do is help people.” He asked me why I wasn’t willing to help the people at the insurance company. That’s when I learned the value of good advice and moved on to a better place.

I have saved all the Polaroid photos of my students at NYU, taken on one of the most significant days of their college lives¬—their first day of orientation. You can sense their excitement and their vulnerability. I have kept them as a talisman and as a reminder of the bright and talented kids who have taken the place of the real children that were not in the cards for me in this lifetime.

I have worried and fretted over you, been thrilled with your accomplishments, and, on many occasions, been totally exasperated by you (you know who you are!). But, thankfully, my memory only preserves the very best in each and every one of you.

Many thanks to Hiroshi Sunairi, for his video and for his assistance in putting this installation together. Thanks, also, to Nancy Barton for her beautiful color photograph, “The Apotheosis of Linda Vega.” And, especially, thank you to all my students, wherever you are.

Linda Vega
January 2011

The Emerging Psychoanalytic Self 12/01 - 12/13

2010-12-06T10:39:00.000-08:00

Jessica Noel Berry, Maria Walker, Maria Kondratiev, and Nora Hagert

Installation Views

Nora Hagert
“Untitled”,
Watercolor and pen
18 X 24
2010

Top Left:
Nora Hagert
“Untitled”
Watercolor and pen
9 x 12
2010

Bottom Left:
Nora Hagert
“The Mistress”
Watercolor and pen
11 X 14
2009

Top Right:
Nora Hagert
“Eros and Thanatos”
Watercolor and pen
11 X 14
2010

Bottom right:
Nora Hagert
“Phobia”
Watercolor and pen
8 X 10
2009

Top:
Nora Hagert
“The Father”
Watercolor, pen and gold-leaf
9 x 12
2008

Bottom:
Nora Hagert
“Untitled”
Watercolor and pen
9 x 12
2008

Maria Walker

“Three Year Find"

Acrylic on unprimed linen over handmade wooden stretcher

12.25" x 13.25"

Maria Walker

"Untitled"

Acrylic on unprimed canvas over handmade wooden stretcher

12.75" x 7"

Maria Walker

"I Got"

Acrylic on unprimed canvas over handmade wooden stretcher

12.5" x 10.75"

Maria Walker

"Untitled"

Acrylic on unprimed canvas over handmade wooden stretcher

75" x 29"

1. Maria Kondratiev
Untitled (Girl with Rainbow)
Gouache on paper
14x18
2010

2.Maria Kondratiev
Earth Rainbow
Oil on canvas
4x6
2010

3. Maria Kondratiev
Becoming
Intaglio print with chine-collé
8x10
2010

4. Maria Kondratiev
Heavy Snow
Oil on linen
10x10
2010

5. Maria Kondratiev
St.Petersburg
Intaglio print
13x5.5
2005

6. Maria Kondratiev
Growing Yourself
Graphite and goauche on paper
9x12
2010

7. Maria Kondratiev
I Know What You Need
Intaglio with watercolor
16x20
2009

Detail view of Maria Kondratiev

Detail view of Maria Kondratiev

Jessica Noël Berry
“Self-portrait: Limerence”
Mixed Media, 2004-2010
58“ x 47“

Jessica Noël Berry

shadow boxes

mixed media

2005 - 2010

5.7” x 7.5”

(From left, top) “Intertwined” (2005), “Le Roi de Rien” (2005), “Jekyll’s Heart” (2005), “Identity of a Stepchild” (2007), “Distilling Time” (2007), “Samsara” (2007), “The Cafe” (2007), “Harnessing the Game” (2007), “Voyager” (2009)

(From left, bottom) “Acceptance” (2009), “Identifying absurd” (2009), “Latent Belief” (2009), “Rubbing Elbows” (2009), “Dynamic Tension” (2009), “Under the Bodhi Tree” (2009), “Absurd Familial Repair” (2009), “Untitled” (2010), “Fundamental Maternal Insensitivity” (2010)

Jessica Noël Berry

shadow boxes

mixed media

2005 - 2010

5.7” x 7.5”

(From left, top “Distilling Time,” “Samsara,” “The Cafe,” “Harnessing the Game,” “Voyager.”

(From left, bottom) “Dynamic Tension,” “Under the Bodhi Tree,” “Absurd Familial Repair,” “Untitled,” “Fundamental Maternal Insensitivity.”

Jessica Noël Berry

shadow boxes

mixed media

2005 - 2010

5.7” x 7.5”

(From left, top) “Intertwined,” “Le Roi de Rien,” “Jekyll’s Heart,” “Identity of a Stepchild,” “Distilling Time.”

(From left, bottom) “Acceptance,” “Identifying absurd,” “Latent Belief,” “Rubbing Elbows,” “Dynamic Tension.”

Jessica Noël Berry
“Child Centaur”
Found objects, paper, 2010
37” x 41”

(At right)
Jessica Noël Berry
“Multiethnic attachment”
Shadow box, mixed media, 2010
5.7” x 7.5“

Rothfeld Taylor Kim & Sons 11/10 - 1/27

2010-11-22T10:05:00.000-08:00

Louis Kim, Libby Rothfeld, Anthony Taylor

Eleusinian Mysteries 10/27 - 11/06

2010-11-01T12:13:00.000-07:00

Alison Sirico , Meredith Truax and Stephanie Harris

Alison Sirico
"Organic Refraction #1"
Photograph

1978, Rollerblading in the Greenhouse
18x18
Digital Print on Fine Velvet Paper

1978, Rollerblading in the Greenhouse
18x18
Digital Print on Fine Velvet Paper

Meredith Truax
(from top to bottom)
"Ingrid Bergman" ,"Grace Kelly", "Kim Novak"

Meredith Truax
(Two Photos)
"Constructed Refraction #1" and " Constructed refraction #2"

Meredith Truax
"Organic Refraction" series
Clockwise from top left #6,#7,#8,#3, #2, #5, #4

Meredith Truax
"Organic Refraction's"
(top left) #6, #7, #5, #4

Meredith Truax
"Laura Palmer Sings the Hits ' Here You Come Again' by Dolly Parton"
Video Still

Meredith Truax
"Laura Palmer Sings the Hits ' Way Over yonder in the Minor Key' by billy Bragg and Wilco"
Video Still

Meredith Truax
"Laura Palmer Sings the Hits ' Way Over Yonder in the Minor Key' by billy Bragg and Wilco"
Video Still

Stephanie Harris

"Web"
20" X 24"
"Surface Tension"
24" X 36"
"Blue"
28" X 22"
"Technicolor"
20" X 24"
"Doplar":
12" X 12"

Stephanie Harris

Alison Sirico
"2030, A trip to the Woods"
Digital Print on Adhesive Vinyl
33.5 x 90

Alison Sirico
"1968, Trail to Web Mountain"
Video 3:35

Stephanie Harris

Alison Sirico

(Top Left Landscape)
"1973, Upstate"
Oil on Canvas
12 x 9

(Bottom Left Landscape)
"1971, Kent Falls"
Oil on Canvas
9 x 12

(Right Girl in tree)
"1969, Hanging Rock"
Oil on Canvas
28 x 21

Alison Sirico
"1969, Sun Valley"
Oil on Canvas
30 x 40

Alison Sirico
"1959, Down the Road from Our Place"
Oil on canvas
36 x 24

MFA Project Space: Jessica Gispert 10/18 - 10/24

2010-10-22T13:56:00.001-07:00

MFA Project Space: Kevin Yang 10/13-10/17

2010-10-15T12:01:00.000-07:00

“Kissing the Pitfall”

Acrylic on canvas

20” x 19”

2009

“Pilot”

Acrylic on canvas

48” x 39”

2009

“Hardest Man”

Acrylic on canvas

70” x 37”

2010

“Drowning Lover”

Acrylic on canvas

48” x 37”

2008

“Burning Face”

Acrylic on canvas

48” x 37”

2009

“Over One Million Girls”

Acrylic on canvas

48” x 38”

2010

MAF Project Space: David J Merritt, 10/6-10/10

2010-10-08T11:57:00.000-07:00

MFA Project Space: Leafe Zales, 9/29-10/3

2010-10-01T12:15:00.000-07:00

MFA Project Space: Our Kind, Andy Slemenda 9/22 -9/26

2010-09-24T12:24:00.000-07:00

installation views

Details

Video stills

MFA Project Space: Anti Horror Vacui 9/15-9/19

2010-09-24T09:46:00.000-07:00

"Anti Horror Vacui" by Jo-ey Tang, MFA